If you are not familiar with electronics, do not attempt to repair! You could suffer a fatal electrical shock! Instead, contact your nearest service center! Translate this page:. Gondolkozok rajta hogy megvegyem, a tzemet meg eladom. Now I am trying to search a replacement screen.
I've already enquired utsource. I have already found out that it's probably produced by Toshiba. IR Wireless Remote Control: The camcorder comes supplied with an IR wireless remote control that consists of playback, record and menu functions.
The remote is handy when you are playing back your camcorder's recorded images on your TV or when you have the camcorder recording off of a tri-pod. Power Save: When the power save mode is on, after 5 minutes without any camcorder operation, the power turns off. If the camcorder is connected via USB to a computer, or the AC adapter is in use, the power save function is disabled.
Video Recorder. When recording video on the hard disk drive, the camcorder records in Dolby Digital 5. The camcorder features the following picture quality settings and recordable time capacities. Auto Ground-Directional Standby AGS : This function prevents unnecessary recording when you forget to pause recording and walk with the unit tilted upside down while recording continues. If the unit continues to be tilted upside down from a normal horizontal position while recording on a disc, it is automatically set to recording pause.
MagicPix: MagicPix allows you to shoot full color video in very low light. Because it uses a slow shutter speed, motion jitter will be much greater, so use of a tripod is recommended. Minimum illumination is 12 lux for normal recording, and 1 lux in MagicPix mode. Wind Noise: When recording in windy conditions, you can reduce the audio distortion caused by the wind hitting the microphone by engaging the Wind Noise Reduction function.
Zoom Microphone: The microphone zooms in along with the picture, enabling you to pinpoint distant sound emanating from your subject. Still Image Recorder. Recording Media Still Images : Digital still images can be recorded at x , x , x or x pixels, with two selectable picture quality compression settings - high and normal.
Self-Timer Recording: You can record yourself in digital still images when using the self-timer feature. The self-timer is set to 10 seconds. Still Image Playback: Still images from the SD card or hard-drive can be played back on the camera in a slide-show fashion, thumbnail view 9 images at once , or full screen single image.
Playlists: You can create a playlist by gathering your favorite images from recorded scenes. Since the playlist is not created by copying data, you will consume little of the capacity by making a playlist. For images you wish to protect from accidental erasure, you can lock the selected files.
All images on the SD-card and hard-drive, including locked images, are deleted if the card or hard-drive is reformatted. This allows you to make prints of your still photos without having to download them first to a computer. Software and Computer Information. The port is USB 2. You can connect the camcorder to your computer via the supplied USB cable for transferring digital video and still images.
When you have installed ImageMixer3 onto your computer and connected the camcorder to your computer, you can perform the following operations. Your computer will also need to be compatible with the following formats.
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We will be calling you. We're sorry. We have encountered a problem. Sorry, the call-back feature is currently unavailable. Read more from Crutchfield writer, Tara W. Go back See more. Discontinued item. The SDR-H achieved a color error score of A closer look at the results showed the error was a matter of undersaturation, due to the small chips, rather than some terrible skewing of the colors toward the wrong tonality.
This is a small consolation. The same tests revealed the noise level was a modest 0. The saturation was only at Stick to bright light shooting and you should be satisfied.
However, indoor shooting is a risky proposition, and night shooting in the backyard is out of the question. Speed one simulates a casual walk along the sidewalk while capturing video with the SDR-H Speed two is closer to a jittery car ride or light jog. The SDR-H produced an These are fairly admirable results.
The camcorder was placed on a tripod directly underneath the laser, with the LCD flipped out, zoom pulled back fully, and optical image stabilization turned off. There are variations from one manufacturer to the next, but the quality of the compression is largely the same. MPEG2 is prone to producing some artifacting during motion and even in motionless shots.
The artifacts can them create a slightly blurry look to areas of fine detail, as was the case here. The SDR-H offers three quality settings for the video that correspond to bit rate. A lower bit rate means that more video will fit on the recording media, but the image quality will be significantly reduced. In the highest quality, about 7 hours of video can be recorded onto the HDD. In the lowest quality, it fits about 27 hours.
They offer the same basic conveniences of DVD — random access to clips and easy importing a computer — without the capacity limitations or fragility of DVDs. The SDR-H ships with a MB SD card, which holds a much less impressive 3 minutes of video in the highest quality or 12 minutes in the lowers quality.
Inconveniently located in the battery cavity, Panasonic needles you into remembering that the DC power must be plugged in to connect to a computer. The process cannot be done by battery power, meaning that it cannot be done in the field. Of course, recording to the SD card avoids the need for the USB connection, provided you have a card reader. Editing MPEG2 footage was once a nightmare.
It has since gotten considerably easier. Once connected, the files are not easily imported with a drag-and-drop process. Like most DVD and HDD camcorders, the file structure is split up and some kind of intermediary software is necessary to piece it back together.
Many video editing programs already have a function like this built in. This program will also allow you to import the clips from the camcorder. One word describes the auto responses on the SDR-H fast.
The white balance, the focus, and especially the exposure all worked with great speed for most adjustments. The white balance shifts between indoor and outdoor were quite good. It also handled itself well in mixed lighting, such as shooting indoors near a window, a situation many camcorders have a problem with. The auto focus was great, traversing even the biggest jumps from close up to far away subjects in 1 to2 seconds. What we noticed most was the auto exposure, which was very, very fast.
Point-and-shooters are going to love this, because it means less time hassling with the manual controls. Of course, we must make a small concession to the concerns of the pro shooter, who would criticize the adjustments for being too fast. Most pro camcorders produce more gradual transitions. The better models even have the ability to dictate the auto response speed.
For consumer concerns, however, the SDR-H functions very well on its own in moderate light. Low light shooting can cause some problems for the automatic controls.
Auto focus will slow down, and you may have to employ manual control. At a certain point, the auto exposure will simply conk out because the camcorder has exhausted its ability to gather any more light or even amplify a weak signal with gain. This is due to the small CCD imagers. The SDR-H has a number of one-touch controls that can improve the image quality without you having to understand how or why.
However, you will have to read through the manual or use the Info feature on the Joystick menu to learn how to read the menu icons. Panasonic always packs in the manual controls, though its position as champion has been challenged by Canon in the last few years.
However, Panasonic remains the only consumer brand to offer independent shutter and aperture, as well as direct gain control, which is why it has remained the choice for serious, hands-on budget shooters.
Once again, Panasonic has made a gross error in its online specs, duping customers into thinking the SDR-H has a manual focus ring. It does not. Panasonic made this same mistake with the VDR-D, and though Panasonic was alerted it, it has yet to be corrected. While the joystick may make for a lame focusing tool, overall it performs very well as the all-in-one interface for manual controls and menu navigation. The rear-placement makes one-handed operation possible, which is always a plus.
You might want that other hand to wave people into and out of the shot, hail a cab, or eat a sandwich. It would prove more comfortable for big hands if it had it been positioned a little farther away from the hand strap. Zoom 6. The zoom control on the SDR-H is a raised toggle with a nice, wide grip. It has a very smooth action that actually makes it hard to produce a good crawl.
We were only able to find about two zoom speeds depending on finger pressure. This may be detrimental to student filmmakers who want a good crawl. When zooming, a graphic appears in the upper right corner of the screen with a sliding scale to represent the zoom range and a numerical value to indicate exactly what the zoom power is. When the digital zoom is activated, the sliding scale does not enlarge. Instead, a portion of the scale appears blue.
This is a standard length for camcorders with better imaging sensors. Larger chips require longer barrel lengths for big zooms. Because keeping the overall size down is a principle goal, the zoom ratio is reduced.
Though the individual chips on the SDR-H are small, there are three of them, and a prism in front to split the incoming light. That takes room, which costs zoom power. Cheaper camcorders with small chips often puff up the zoom power to make them seem more attractive. After 4x to6x, the picture will become too shaky. The digital zoom is activated in Main menu under the Advanced submenu.
It can be capped at 25x or extended to its full and ridiculous x. Never in a million years will a x zoom do you any good. In fact, just pretend we never mentioned it. The ring around the lens of the camcorder is used to open the lens cap, and nothing more.
Use the joystick to push back and forth until you like the look. This is probably the worst manual focus control of any manufacturer. Sure, most of them are pretty terrible, but at least JVC and Sony usually give you little icons of a man and a mountain to indicate that pushing in one direction will shift the focus closer and the other far away.
With the Panasonic, what do a plus and minus sign mean? This is a problem in conjunction with all the other, normal problems on consumer camcorders. Why is the resolution only , pixels? The chances of making an inaccurate decision based on the LCD are high, especially when shooting outside on a sunny day when the screen glares.
Whenever possible, leave it in Auto mode.
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